All other guys with other DAWs don't have that problem at the start, because they already have a "Master bus", but in Pro Tools you have to make it. In that way, Pro Tools starts to calculate delay compensation in a proper way. Let's say that you put Bus 11-12 as an input of that Aux Input, and you send all your tracks to that Bus. In order for Pro Tools to properly calculate delay compensation, first you have to send all your tracks to one stereo Aux Input, which would be your "Master bus".
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